After their debut at Brixton's Hootananny, Kiss Kiss Bang Bang arrived in Bristol on Friday with a line up of live jazz, funk and DJs at the infamous Attic Bar. Here to get us in the mood for the upcoming Under The Hill Festival, self-made DJ and promoter Rich Hale AKA Mista Trick delivered a perfect line up of local legends and touring talent. In typical Stokes Croft fashion, the crowd were late to the party; giving first act Mr. Fitz some time to play around with his line of "funk, swing and everything in-between". Fitz dipped our toes into a tranquil hour of instrumental hip hop with his signature scratch technique (the perfect remedy to shake off those memories of a working week) before upping the anti and spinning tracks from the likes of Funky DL as well as his own meticulous mashups. By the time he was finished, Attic Bar was a sea of bouncing snapbacks - pretty impressive for the mellow side of midnight. FFO: Chinese Man, Wax Tailor, Hong Kong Ping Pong Top Track: No Diggity Vs. Bonobo Next Show: Golden Lion (Bristol), May 5th The sophomore star of the night was Bristol's own China Bowls - a rapidly rising name and well worth the hype. One of the current names in Bristol's burgeoning jazz scene, the young neo-soul singer has already been snapped up by Saffron Records and Electric Harmony. With a full backing band (featuring Snazzback's Chris Langton), it's clear that China (real name Lucy) is one of the hardest working musicians in town right now. Their set was an uninterrupted ride through 2016's blues-tinged Talk EP as well as more recent tracks like To Belong - a step towards the smooth pop of Lianne La Havas or classical jazz greats like Etta Jones. It's clear that China Bowls is not so easily pinned down though - Lucy occupies the role of composer, guitarist and conductor as well as lead singer, and with a vast collection of influences ranging from Chilli Peppers style funk to R&B and House, we recommend seeing her live as soon as you can (if not sooner). If 'making a baby at a public venue' is on your bucket list, this is the music to do it to. FFO: Eva Lazarus, The Pipettes, Fat Freddy's Drop Top Track: The Way Next Show: Archspace (London), May 17th The penultimate pleasure-makers of the night were Crinkle Cuts, another Bristol-based act. Promising a blend of "tantric funk, smooth reggae and new-wave latin", the septet didn't fail to deliver a sensual display of ska-based aural antics. Although the spectacle-wearing collective haven't released anything since 2015's Bigger Than Patrick, it's clear that they've been anything but quiet in the last 3 years. Chatting to the band before their set, they alluded to a recent attempt to push their sound towards a more intense abyss of brass-led funk - citing influences as heavy as Skindred. Although songs like Two Shoes offer a saccharine escape from the real world of the 9 til 5, it seems like the Crinkle crew are digging deeper both lyrically and musically - pushing the boundaries of various genres and experimenting more as performers. Friday's show saw solo breaks from just about every instrument at hand (including the finest jazz flute since Ron Burgundy) from a band who were enjoying the show with as much abandon as the audience. Ones to watch this Summer and beyond - they release their debut album next year. We especially recommend Crinkle Cuts for anyone who's on the lookout for jazz songs about testicles. FFO: Cosmo Jarvis, Land of the Giants, The Skints Top Track: Dan's Song Next Show: Gwdihŵ Café Bar (Cardiff), May 4th London-based DJ Fizzy Gillespie closed the night with a set of swing-tinged Drum 'n' Bass. No stranger to Boomtown, Cirque Du Soul, Global Beats and Kiss Kiss Bang Bang itself (and heralded by Dutty Moonshine as "balls to the wall fun times") Fizzy appears at this year's Under The Hill Fest. For the well-below average ticket price of £45, you can make your first festival of the Summer one to remember with a line-up including A. Skillz, Tankus The Henge, The Undercover Hippy and DJs like Fizzy across two days ( May 25th - 27th). Volunteers and emerging artists can get involved via the festival website. FFO: Dutty Moonshine, Cat In The Hat, The Heavy Beat Brass Band Top Track: What'd I Say? Next Show: Hoxton Square Bar & Kitchen (London), May 4th Tom Stockley is the founder and creative director of We Are Uncollective. He currently lives in Bristol where he dabbles in spoken word, artist management, workshops and event management. He's a Creative Producer for Under The Hill 2018. www.tomstockley.weebly.com
0 Comments
On Friday 30th March, a hundred or so indie rejects from across the South West descended on Plymouth's premiere punk venue, Underground. Orchestrated (and headlined) by the rapidly emerging School Disco, they'll be a full review of the night over at Red Van Reviews in the next few days. For now, Loopholes founder and promoter India Hicks gives us the lowdown on the second EP from the band (who, let's not forget, supported Wolf Alice last year) for this month's Pint For A Piece article... "They’re a force; perennial and eternal. Plymouth/Brighton rockers School Disco return from their journey of self-exploration in space, bringing back with them the gift of their latest EP Look To The Sky.
The city kids with a penchant for the extraterrestrial, LTTS has been massively influenced by 50’s/60’s horror and sci-fi movies, creating a strange post punk / psych hybrid for the band, featuring a whole host of new instrumental additions - analog synths and theremins to name a few. An intergalactic proto-punk synth-boogie odyssey, the EP explores a new synth based sound for the trio. It’s the start of an experimental chapter for the boys- repetition, oscillation, gradual decay, accelerated build-up and fits of bass. It flows from track to track, with the first two providing a protean swirl of organ and guitars, where rock collides beautifully with hazy, sonic trance. The title track is a sensory overload with nothing but swirling atmospheric synths to prepare you to blast off into a whole new galaxy. The production on this record is great; the sound is clean, but also raw and gritty at the same time, with frontman Rory describing the recording as “a little lo-fi, but it suits the sound well.” The standout track for me is Waxmage - the heaviest of the four tracks. Rory’s deep, haunting vocals combined with fat riffs make for a huge sound. Almost 7 minutes of noisy guitars, whooshing synths and a distinctly dirtied and twisted post-punk overtone, it’s a white knuckle ride through pulsating kraut that will quite literally blow your mind. Whilst straying from their usual shore, this new found spacey experimental stage is still distinguishably School Disco - daring, exciting and noisy. The band show their influences such as Hawkwind well while making and exploring their own branch of space rock. 2018 is already set to be a huge year for the boys, and you better buckle up for lift off as they prepare for universal domination." Listen to the EP on Soundcloud: www.soundcloud.com/schooldisco/sets/look-to-the-sky // Buy it on Bandcamp: www.schooldisco.bandcamp.com/album/look-to-the-sky Catch School Disco AND Loopholes at Langaland Festival, August 3rd - 5th 2018 |
PINT PIECESWe pay each author £5 for 500 words (roughly) on something creative - your favourite single, an exhibition you've been to, a new project or anything else you can think of! Feel free to include images. Send your PINT PIECE to [email protected] and we'll choose one per month. Archives
August 2019
Categories |